Film, Performance & Exhibition

Portfolio

Work at the intersection of performance, curatorial practice, and political intervention.

Artistic Practice Between Art and Activism

I do not understand art as a finished object, but as a relational assemblage of practices, discourses, and politics. My work operates at the intersection of performance, curatorial practice, and political intervention, engaging with questions of migration, memory, and radical democracy.

My theoretical framework draws on postcolonial and queer theory, as well as the concepts of assemblage (Deleuze/Guattari) and entangled thinking (Haraway, Barad). I understand my work as a rhizomatic practice that connects horizontally and operates at the edges of disciplines, institutions, and aesthetic categories.

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